Lydia Martin screams (
lydiascreams) wrote2015-02-27 12:42 pm
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[029. When you're awake and your own shadows turn into ghosts]
[The Banquet Hall - Open Spam]
[She finds herself on the floor, but not of her cabin anymore, the baseball bat she was holding falling to her side. Before she can even look around to try and make sense of where she is, it all hits her hard. The voices are loud. Too loud. She lifts her hands to cover her ears and closes her eyes, taking deep breaths as she tries to focus, on drowning them out.
It's worse than it was at Oak Creek, it's almost as bad as it was when she first got to the Barge. It probably is just as bad, but being around Arthas has helped her control it more. She just needs to focus.
But it's too much to hold in, she knows that before she can focus, she needs to scream.
All the scream does is help drown out the noise, allowing you to hear what you really need to. I can help you focus your hearing.
She hates Peter, she'll always hate Peter, but for all he's done, she knows he's also incredibly knowledgeable. And she knows he was right. Because when she first got to the Barge, it wasn't until she screamed that she managed to focus again.
So with her eyes still closed, she takes a deep breath, and screams.]
[Video - Friends]
[The scream works and it helps her calm down enough. But it's not until she manages to make her way out of the Banquet Hall, that she reaches for the communicator.
Thanks to the Admiral's warning, she managed to get the suit Babs made her on, and Stiles had time to hand her his baseball bat. Which she's now holding.]
Where's everyone?
[ooc: Lydia can also be found at the Mezzanine, Library or The Master's Terrace for the next few days.]
[She finds herself on the floor, but not of her cabin anymore, the baseball bat she was holding falling to her side. Before she can even look around to try and make sense of where she is, it all hits her hard. The voices are loud. Too loud. She lifts her hands to cover her ears and closes her eyes, taking deep breaths as she tries to focus, on drowning them out.
It's worse than it was at Oak Creek, it's almost as bad as it was when she first got to the Barge. It probably is just as bad, but being around Arthas has helped her control it more. She just needs to focus.
But it's too much to hold in, she knows that before she can focus, she needs to scream.
All the scream does is help drown out the noise, allowing you to hear what you really need to. I can help you focus your hearing.
She hates Peter, she'll always hate Peter, but for all he's done, she knows he's also incredibly knowledgeable. And she knows he was right. Because when she first got to the Barge, it wasn't until she screamed that she managed to focus again.
So with her eyes still closed, she takes a deep breath, and screams.]
[Video - Friends]
[The scream works and it helps her calm down enough. But it's not until she manages to make her way out of the Banquet Hall, that she reaches for the communicator.
Thanks to the Admiral's warning, she managed to get the suit Babs made her on, and Stiles had time to hand her his baseball bat. Which she's now holding.]
Where's everyone?
[ooc: Lydia can also be found at the Mezzanine, Library or The Master's Terrace for the next few days.]
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Who died?
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[Because plenty of people died, but she can focus enough now that she knows it was in the past. Not now. Not yet, anyway.]
Are you okay?
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I am fine, this is a normal tuseday for me. Closest to normal I have dealt with in some time.[ sometimes he misses his cray cray world.]
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Do you have any idea where we are?
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Spam - all ghosts are godmodable!
In the midst of this, a figure in a slim, modern suit with two shadows under his feet somehow emerges, walking towards the source of the banshee scream rather than away.
The Master stands patiently by, apparently unaffected, waiting for her to finish.]
Is that really necessary?
Spam!
She reaches for the bat and stands up. Her head isn't spinning anymore and she can focus. The voices are still there, but just whispers now. She eyes the man for a second, only then noticing the ghosts that she can actually see, not just hear.
Her eyes widen slightly, and then she composes herself again, lifting her chin as she looks at him.]
As a matter of fact, yes. Who are you? [Not from the Barge, unless he's just arrived.]
Spam!
[He makes a sweeping gesture at the distressed ghosts.]
Spam!
They're disturbing me.
Spam!
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[Banquet Hall - Open Spam]
[Here is Chris.
Here is Chris standing on a table, throwing punches at ghosts. He picks up a serving platter to use as a shield, beating away the specters.
Until, that is, Lydia screams. Chris gives a shriek of pain of his own and falls off the table]
[Banquet Hall - Open Spam]
Shaking her head, she rushes over to him.]
Chris! You okay? [The ghosts obviously aren't. In fact, they kinda look pissed.]
[Banquet Hall - Open Spam]
[He sits up, hugging his ears]
Am I bleeding? Am I bleeding out of my head? Jesus, Lydia!
[Banquet Hall - Open Spam]
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Spam -- Mezzanine?
He has no idea what the hell is going on this time. He checks the network in time to catch the tail end of his inmate shouting in Latin, but before he can figure out anything beyond that, someone's grabbing his arm and pulling him up. He looks up at the nurse who's trying to usher him closer to the bed and he shakes his head, trying to protest that he isn't sick, he feels fine and there's no need for a hospital bed when he catches sight of the woman lying in the bed she's propelling him toward.
He freezes in his tracks, breath leaving his lungs as he stares.]
Mom?
[His voice is barely a whisper. He takes in the sight of all the machines around her that she's hooked up to and he pulls away from the nurse, moving closer to her, heart beating hard in his chest.]
Mom!
[There are tears in his eyes as he reaches for her hand and it takes him a second to realize that this isn't his mother. But she looks so much like her that it feels like his world has tilted on its axis. He shakes his head and looks back at the nurse, who is watching him closely and he doesn't understand what the hell is going on as she shoves a pile of papers into his hands. He looks down at them in confusion, stares at the words written there and feels his stomach turn.
What the hell was this?
He feels a wave of anger, of disbelief as he reads over the script, of the things that are written there, a piece of his life he's never shared with anyone, not even Scott. He feels sick and lost and confused and on the verge of being completely overwhelmed when he hears the scream. It's loud, louder than he's ever heard her scream before and he promptly drops the pages and runs for door.]
Lydia!
[He's not leaving his mother. It's not his mother. His mother has been gone for years, and now there is someone else who needs him. He's off and running as fast as he can, not even sure how he knows where to go. He's just following his gut.]
Lydia!
Spam -- Mezzanine?
So he doesn't linger when he's cleared out the succubi in the guest chambers, or at least those present at the same time as he was; he moves back into the corridor at a long-legged jog, slows down to a walk as he presses forward into the other rooms on the floor. He's attracted by the voices, first, and the sound of movement as he slips through the doors into the opera hall.
He doesn't catch much, but he recognizes hospitals at a glance, is about to dismiss it entirely when he doesn't recognize either of the women, but then there's Stiles and he pauses. There's Stiles, and he looks ill and angry, and Dean is just about to call out to him when Lydia screams.
He's already at the door, and doesn't even think before he's ducking back out. By the time he remembers that there's not really any way to tell how close she is - she always sounds like she's right in his ear when she does this - he's doubling back and almost collides with Stiles in the stairwell.]
Have you seen her yet? [He snaps, even as he's already stepping back to let Stiles through the door ahead of him down towards the lower levels.]
Spam -- Mezzanine?
The scream had been intense, more like the mirror version of Lydia than the one that he knows so well and loves so much.
Something is terribly wrong, and he's hoping it's just this place and not because she's in trouble or because someone's just died.]
She's down this way. [There's no doubt in his tone. He's that confident they'll find her.]
Spam -- Mezzanine?
Spam -- Mezzanine?
Spam -- Mezzanine!
Spam -- Mezzanine!
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SPN, I will never forgive you for forcing me to take this stylized trampstamp seriously
It's what the ~fangirls~ want
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spam - library
[He's content to ignore the books, until one title catches his eye. Finding Your Way Back. The title is somewhat vague and ambiguous, but there's an immediate pull that gives him reason to at least touch the book if not take it off the shelf.]
spam - library
But some of the books are dangerous, she's already learned as much. So although she didn't manage to leave, she knows better than to touch them.]
The books are dangerous. [She illustrates this by lifting a bloody index finger.] One of them had claws, it scratched me. [And the Mastering Your Banshee Powers one screamed so loudly, she found herself on her knees, covering her ears in pain.]
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They're not exactly books then, are they?
[More rhetorical than a genuine question. He looks back at the book, frowning at it before roughly pull his hand free from it.]
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I think I'm stuck, I've been here for like. Ten minutes.
I heard you. Are you okay?
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I was at some dining hall, but I made my way out. Are you okay? Can you leave if you try to?
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Lydia! [She looks okay, and that's definitely a relief.]
Are you okay? Are you alone?
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I had to be able to focus. Chris was just with me.
[She watches him closely for a second.]
Are you okay? I spoke with Liam, but I haven't heard from anyone else.
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[There are so many unknowns about being a banshee, still. They've learned so much, she's learned so much, but Scott is still learning things about being a werewolf. He'll always worry about what they don't know.]
I'm okay, I talked to Liam too, and Peter, but I haven't run into anyone yet. Chris is okay?
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I think I'm in a normal place for now-- are you alright? [He'd heard the scream, but he has no idea that it was her.]
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I'm okay, I think I got away from the ghosts for now. [But she has no idea where she actually is.]
Are you hurt?
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Do you- have any idea where the Barge could be? I didn't see it downstairs.
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